staying indoors all month (except for the momentous excursion outdoors to the polling station on July 10). My hermit life continues with my mom — neither of us have taken a step out of the house for months. Life meanders: the whole morning wrapped in blankets, my mom’s home-cooked lunch right after light breakfast, reading while eating fruits and chocolates, and writing after the sky turns dark in the hum of evening bustle, the breezy night, the shadowy hills, and my favorite sort of quiet — the feverishness of midnight when I seem to be the only human alive.
uninstalling social media apps. Forgive my excruciatingly slow replies, my digital antenna is sluggish. I am a texting turtle. 🐢
trotting out of the house with my dad on July 10. We queued for thirty minutes, went through rounds of hand sanitization, deliberated for a millisecond before stamping on a polling card, slotted it into a box, and trotted back home. With that, I finally exercised my right as a citizen.
writing IDOL. This month, I wrote a total of 20,001 words.
ending with the last revolutions of the clock. For the final moments of July, here’s a haiku by Kobayashi Issa (posting both translations here because they move me in different ways — or, in Walter Benjamin’s words, each liberates the language imprisoned in a work in its re-creation of that work):
This world of dew is a world of dew, and yet, and yet.
when was the last time I listened to an album from the first track to the last, no pauses, no skips, no shuffling, no multi-tasking, and with my eyes closed? maybe it was six years ago when “1989” came out on my graduation night from nanyang.
“folklore,” in its entirety, is sixty-three minutes. i can’t imagine trusting another artist this much, to take her hand and enter into a sonic world of her making, leading me through sixteen snapshots of her stream of consciousness. i can’t imagine either caring enough to discern each lyric in a song, afraid to miss a word. it isn’t often that words move me in a song; i’ve always been more of a melody person. but when it comes to taylor, her lyrics are everything.
i still remember at the age of ten when my classmate called me on the landline and screamed over the phone that i had to watch the music video for a song called Love Story this very instant — not a moment more, she was going to hang up now, and i had to do so in the next breath. i did. i fell in love instantly, with how i could hear an entire story in a handful of verses and how iconic a bridge could be (Romeo proposes, thank God). even now, i close my eyes and the flashback starts.
her lyrics have done more than simply accompany me through my childhood and teenage years; they amplify the highs and the lows, putting into words what i don’t know how to say — I’d Lie for how I would never confess a word about my crushes in elementary school, The Way I Loved You for new year’s eve resolutions, Come in With the Rain and Cold As You for angsty bus rides and fights with best friends, Long Live for vibrant encounters and nostalgic goodbyes, Breathe, If This Was a Movie, Back to December and All Too Well for nonexistent heartbreaks and youthful melodrama, Enchanted and You Are in Love for moments brimming with attraction and racing heartbeats. taylor isn’t the most poetic lyricist out there but the most relatable.
“folklore” is a complete pivot from “Reputation” and “Lover,” in a good way. no more trap, slick synth-pop, EDM, radio-friendly bubblegum pop! taylor’s quiet storytelling is back, stripped to the bare minimum, the closest we can get to hearing how the song sounded in her head. it’s no longer as angry or dreamy as her previous two albums. it’s a sad, moody album — contemplative, introspective, and strangely (for a swiftie) no longer as autobiographical. as taylor herself writes, in her prologue letter below, these songs are an escape into fantasy, history, and memory. this time round, she inhabits characters, excavates their untold, innermost thoughts, and writes them out in the sky for all to behold. and maybe because she is in the skin of these characters, the lyrics are more vulnerable than ever — subtle but still plaintive, unencumbered enough to be truly intimate. the lowercase aesthetic of the album (every track is in lowercase!) suggests a chill nonchalance: at last, taylor swift doesn’t care; at last, she eschews the ‘I’ (à la bell hooks). she frees herself from the intense scrutiny on the self to simply tell a story.
the hazy mistiness of “folklore,” from its black and white album image in a forest (taylor diminutive amidst giant tree trunks) to the dusky piano by the flickering fireside in Cardigan, permeates the lyrics too. her songs this time are rambling, no longer as precisely engineered.
i love the ambiguity, the messiness, the open-endedness. what matters is not the kernel but the haze, as Joseph Conrad tells us:
…to him [Marlow] the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine
– Heart of Darkness
my favorite points of the album are those hazy moments, lingering on the periphery of a chorus, hitting me in the gut.
the best taylor swift album opener since State of Grace (“Red”).
“In my defense, I have none / For never leaving well enough alone.”
the last great american dynasty
the delicious tidbits!!!
a life story in three minutes and fifty seconds. the devil’s in the details, truly — i guess when you own an infamous mansion with provenance, you can write a hella good song about even your house? reminds me of Starlight (“Red”), which is about Ethel and Bobby Kennedy.
i can tell that taylor admires Rebekah Harkness, her unabashed wildness, shamelessness at being called the maddest woman in town, and most of all, how she had a marvelous time ruining everything.
They say she was seen on occasion Pacing the rocks, staring out at the midnight sea And in a feud with her neighbor She stole his dog and dyed it key lime green
the neighbor is Dali. i rest my case. she is a genius.
one of my favorite songs on the album. the duet with Bon Iver is devastating. the analogy of exile for heartbreak is pitch-perfect.
I think I’ve seen this film before And I didn’t like the ending You’re not my homeland anymore So what am I defending now? You were my town, now I’m in exile, seein’ you out
I can see you starin’, honey Like he’s just your understudy Like you’d get your knuckles bloody for me Second, third, and hundredth chances Balancin’ on breaking branches Those eyes add insult to injury
the folksiest, most spectral song on the album. also a solid favorite. i love the whimsical whispers, the garden and space imagery (“Love you to the moon and to Saturn“), the wilderness and nostalgia. gives mesad, wistfulBridge to Terabithiavibes, which i cried over as a kid.
Please picture me in the trees I hit my peak at seven Feet in the swing over the creek I was too scared to jump in But I, I was high in the sky With Pennsylvania under me
Please picture me in the weeds Before I learned civility I used to scream ferociously Any time I wanted
surprisingly, the line that guts me the most isn’t the gorgeous sentence in the chorus— “August sipped away like a bottle of wine / ‘Cause you were never mine” — but the part in the bridge.
wanting is enough. so true, isn’t it?
Wanting was enough For me, it was enough To live for the hope of it all
this is me trying
And it’s hard to be at a party when I feel like an open wound It’s hard to be anywhere these days when all I want is you You’re a flashback in a film reel on the one screen in my town
the cinematic motifs have been constant throughout her career — If This Was a Movie! — and the line above is like a one-horse town moment.
and this one line: “I got wasted like all my potential.” oof.
the last verse saves the song. i wish i came up with this line: “You taught me a secret language I can’t speak with anyone else.”
And you wanna scream Don’t call me “kid,” don’t call me “baby” Look at this godforsaken mess that you made me You showed me colors you know I can’t see with anyone else Don’t call me “kid,” don’t call me “baby” Look at this idiotic fool that you made me You taught me a secret language I can’t speak with anyone else And you know damn well For you, I would ruin myself A million little times
in chinese folklore, the lunar god of matchmaking connects a red thread of fate between soulmates (千里姻缘一线牵，万年修来共枕眠), no matter the distance — an invisible cord that may tangle (knots symbolize hardships and obstacles) but will never break, leading lovers to their destined encounter. the mythic imagery pulsates in this song, winding through curious, mystical, wondrous time.
also, the bridge is taylor swift at her peak:
A string that pulled me Out of all the wrong arms, right into that dive bar Something wrapped all of my past mistakes in barbed wire Chains around my demons Wool to brave the seasons One single thread of gold Tied me to you
makes me think of Wide Sargasso Sea (reviewed in on my desk) and Bertha Mason, the mad woman in the attic in Jane Eyre. women and hysteria are perennially linked themes — madness is often essentialized as a female trait, a defiant subversion of the patriarchy that must be suppressed, and dubbed a “wrong” in the face of scientific rationality which grounds modern civilization. the mad woman, as a literary character that haunts the texts by numerous female authors and now taylor, is the author’s double, the incarnation of rage that finds no easy release without violent protest.
teenage me would gobble this up. now, it just makes me nostalgic for the Tim McGraw and Our Song days, when i had short hair and was anxious about bumping into certain boys from across the bridge.
“Stood on the cliffside screaming, ’Give me a reason'” — listen for this single line.
another go-to breakup ballad for the ages. i love this song so much, gets better with every listen.
and thus “folklore” ends with these final lines:
My only one My kingdom come undone My broken drum You have beaten my heart Don’t want no other shade of blue but you No other sadness in the world would do
like taylor, in isolation my imagination has run wild. how to pull from solitude the utmost depths of ardor? taylor confesses, weaving magic: embody other lives, dream about past selves, wonder about missed turns and broken glances, delve into parallel universes, brush the dust off aged secrets and forgotten desires, and follow the thrust of emotion towards its unfinished expression.
thank you, taylor, for your music.
and also, thank you to your music for always being so crushingly, achingly, gloriously romantic.
today i feel very very loved and very very blessed. thank you to each of you — you know who you are — who have made it so special. i’ve waited seven years to play this song (so let this be the soundtrack to this blog post):
this day has turned out entirely different from what i expected. this morning, i woke up to my mom blaring a birthday song remix and dancing Zumba moves beside my bed. then, my dad sent me a video montage he made — it started with the airport farewell in August 2017 when i was hugging my best friends goodbye, as i was about to head into an entirely new chapter of my life far away from home. i remember crying when the plane soared into the darkness, a forest of lights diminishing far below, thinking anxiously about the weight of distance, the receding intimacy of everything i had grown up with, and all that the husk of ‘harvard’ promised. would i like my roommates? would i make good friends? would harvard ever match up to the years of yearning?
in the blink of an eye, i’m almost done with college. incredibly, my roommates have become my best friends, i have found friendships that are too precious not to last for life, and harvard no longer seems like an amorphous mass suffused with uncertainty, overblown with desire, and untouchable. instead, it has become the most unexpected incubator of ambitions, the wildest adventure, and the best house of minds. harvard has become a second home and, without doubt, the past three years are some of the best in my 22 years. (on a side note, thinking about this coming fall, i love my time there so much that i would hate to spend my last year far away from the people and energy that makes harvard, harvard)
and somehow, three years later, my friendships from home have stood the test of time. distance hasn’t changed anything. i am so immensely grateful to have so many constants in my life — people who i have grown alongside throughout our most awkward, idealistic, and undaunted years, whose friendships ground me as life throws us up in the air, who i will always hug close to heart. i’ve known some of you for 8, 10, 13 years. others, i’ve only known for 3 years, but i feel like i’ve known you for a lifetime. here’s to many more decades and more memories!! ✨
to my dearest Zhao, who put together a video of birthday wishes from my closest friends that made me cry, THANK YOU! I LOVE YOU. 22 is unforgettable because of what you did. words don’t suffice. thank you for for your bangin’ production skills (better than hollywood), for bringing together people i love across screens and timezones, and for loving me the way you do ❤️
back to my dad’s video montage: it ended with this family photo at the Changi airport, the blocky letters of DEPARTURE looming in the background. for the past three years, every moment spent with my parents has been transient. i was like a bird in flight, stopping to rest in a nest but leaving it behind again and again. on the heels of past birthdays came farewells at airports and in hotel lobbies, as I went off in pursuit of some semblance of adult life, eager to forge independence away from my parents.
today has none of the urgency that laced past birthdays. the past few months in a pandemic — like a clearing in the woods of days — has taught me a new relationship with time. i feel time pass gently, without burn. i feel grateful to the quarantine/circuit breaker, in a twist, for giving me treasured months with my parents. our family is finally all in one place, no goodbyes on the horizon (yet) and feeling the days wash over us with no countdowns. 谢谢最亲爱的爸比妈咪，包容我的任性，尊重我的梦想，鞭策我的成长，并给予我最可贵的陪伴。您们的爱让我勇敢地去探索世界，自由地选择想要的人生，并始终相信自己。因为您们，我看到了什么是理想与奋斗，什么是爱情最美好的样子。长大了的我只想像您们一样潇洒、善良、浪漫、热血，坚持自我。愿二十二岁的我依旧能让您们骄傲，不辜负您们的信任。您们是最伟大的父母。爱您们！！！ 🐲🐯🐵
since the semester ended two weeks ago, i have been in a state of torpor, mostly indulging in leisure. i love idleness (and am a proud proponent of its value in creative realms) but i also know everything is only good in moderation. for the first time in a long while, i now have full autonomy over my time with no external structure or authority. i have no one to answer to. i have no goal that is imposed; i have to articulate it in action. the first few months of being 22 is free for me to define. i’m honestly not that great in terms of self-discipline (procrastination has been the scourge of my life), so needless to say, my biggest fear is that i will emerge at the other side of summer without having done anything. my public goal, stated here, is to draft another 60,000 words for my code-named work in progress, IDOL 2047. 🌝 this means 20,000 words per month from june to august. i will be tracking my progress on this blog. 💪 i’m thankful to have the space and time to think and write. 希望我对得起自己！
to God, thank you for always guiding me with love, for surrounding me with people who inspire me, and for teaching me how much i don’t know but giving me the pen to write an answer on life’s canvas. because of You, i’ve realized that everything in my life happens for a reason. when so many things are spinning out of control, thank You for giving me the strength, the peace, and the faith to carry on. i submit myself to Your wisdom and arrangement. in these times of trial, when i see one set of footprints in the sand, i know You are carrying me.
to each of you who read this blog, thank you for stopping by, staying, and breathing in my words, however raw or unembellished. this is my 84th post. not including this post, i have cumulatively written 88,665 words on this blog. (the length of a novel!) i can’t imagine having this much to say about anything, and yet, time works its magic. each snippet, easily forgotten in memory’s dark chambers, are preserved in this tiny corner of the internet. this blog is my time capsule. i have never persisted in writing anything for this long, neither diary nor blog (the last one lasting for 880 days). thank you for being part of my life’s stories. x
Working at CNN Fareed Zakaria GPS has been one of the most interesting internship experiences I’ve had. It has exposed me to the specifics of producing a show for air, what it’s like to work at a place like CNN, and the excitement of dealing with ideas, international news, and incisive analysis on a day-to-day basis. Never in my life have I been this in tune with what’s happening around the world — it’s like keeping one’s finger on the pulse of geopolitics. As an intern, I have had the chance to pitch ideas, meet guests, and contribute to the technical side of the show — finding images and footage, time-coding, fact-checking, etc. The job has pushed me into unfamiliar and exciting terrains: I’ve written a book report on cybersecurity, worked on a live show featuring a guest on the streets from the Hong Kong protests, watched Fareed interview Nancy Pelosi at the Council on Foreign Relations, and pulled visual elements for topics ranging from the recent U.S. gun violence to G20 summit to the 1960s civil rights sit-in movement to the LGBTQ Pride Month.
It’s refreshing to examine news in a weekly format instead of the daily news cycle. More than highlighting headlines, GPS has been about analyzing news in an intelligent manner with multiple perspectives. The close-knit team provides a collaborative and open setting, where ideas from interns do matter. Fareed has also taken the time to have conversations with us. In short, this internship has utterly transformed the way I engage with international news.
If you’re someone at all interested in what lies at the intersection of international relations, media, journalism, or even storytelling at large, I highly recommend applying for this dynamic, interdisciplinary experience!!! 🌟💪💪
Q: So… why did you want to apply for this internship?
CNN Fareed Zakaria GPS is one of the leading foreign affairs shows in the world — what better place to learn about global affairs and how to write news/tell stories? The nature of the show — a weekly format that provides deep dives — brings together experts, cultural observers, world leaders, and other titans of their fields to think, analyze, and debate perspectives across the spectrum. It’s the antithesis to all that is disappointing in media today, and all the more inspiring because of its scope, ambition, depth, commitment to intellectual rigor, and adherence to facts (in a day and age when those don’t seem to matter as much to some audiences).
Click the image below to listen to the weekly podcast. 🌎💡🎥
Q: What have you focused on in your internship?
International relations – the shifting tides of global geopolitics, the unlikely stories in different parts of the globe, how to tell news and explore ideas visually with an eye on the facts (often the numbers tell the true story), U.S.-China relations which are close to my heart and which will dominate the changing world order for the decades ahead.
Q: What has been the most exciting part of the job?
Hearing from the guests & having my pitches picked!
Guests include political figures — for instance, Iranian Foreign Minister Javad Zarif, Greek Prime Minister Kyriakos Mitsotakis, the first female President of Ireland Mary Robinson — as well as political experts/commentators like Ian Bremmer, Niall Ferguson, Thomas Friedman, and Zanny Minton Beddoes.
But nothing beats having your pitches picked and seeing them transformed for air, uttered by Fareed on screen, and produced to be shown on TV in millions of households around the world. My pitches for QOTW (Question of the Week) on robots, the WTO, and Brexit were chosen — I now know a bunch of random IR trivia, come hit me up! 😉 Check out the podcasts to catch these brief segments! 🥰🍀✨
Q: What have you learned/got out of your internship experience this summer?
I got a better sense of the global landscape beyond major headlines and the relentless chug of the news cycle. This internship has been eye-opening in the way it compellingly delved into key recurring international stories (e.g. the U.S.-China trade war, Brexit, Iran) but also investigated a transnational perspective on issues (white extremism as a global phenomenon, how U.S. gun legislation compares to other countries, conceptualizing climate justice across developed/developing but also gender lines etc.).
Of course! The opportunities available are amazing — without the IOP (Institute of Politics), it would have likely been a lot harder to secure an offer in public service amid a huge pool of applicants. Many public service internships are also either unpaid or minimum wage, so the generous stipend that the Director’s Internship offers really makes a huge difference. With a fully-funded summer, and an incredibly helpful staff assisting your queries, providing guidance, and building community, the program is a fantastic way to delve into public service whole-heartedly.
Thank you, New York. Many things you were, but boring you were not. I will miss you. x
Finished typing this list as I was standing in line at JFK — it’s surreal how fast these two months passed (although there were patches when the days felt meandering and Mondays when I could not get up), but there’s something intensely liberating and restless about living in Manhattan by yourself, a certain je ne sais quoi.
A list of anecdotes.
1. (Walking down Times Square with two finance girls behind me talking about Type A guys.) If some guy is going to reject me just because I make less than $200K a year, then I’m out, one of them says. Well, that’s what all guys are thinking, her friend says, some are just better at articulating.
2. Everyone, after meeting me, asks within three sentences: Where are you from?
3. When she hands the Phantom his mask, I say solemnly to Z, she is handing him his dignity.
4. I’m walking down the street and some guy keeps yelling behind me, Jesus is coming for you with a sword!
What kind of sword? a man passing by shouts back.
5. A friend and I have an in-depth discussion about the statistical possibility of true love on dating apps. We conclude that it’s very low.
But the next day I meet E, who used to teach me physics. She has moved in with her boyfriend and it’s getting serious. You and your boyfriend are so cute, I say, how did you guys meet?
She tells me with a shoulder shrug, Coffee Meets Bagel.
6. I believe God has a plan for all of us. And I believe that plan involves me getting my own planet, croonsElder Price.
7. People seem to think entertainment should be paid for, but that news should be free, we discuss at the bar over meatballs.
Do you have a Spotify subscription but still refuse to pay for the New York Times?
… You’re right.
8. The stock markets are going to crash in 2021, the man tells me on a cab, silhouetted against the streetlamp light outside the car window. That’s the year I graduate, I murmur.
9. Climate change. Climate crisis.
10. But first, here’s my take, says Fareed Zakaria.
11. The girl walks out of her room in a bright pink bathrobe and closes in on me, asking while she holds out her phone, Have you seriously never listened to a BTS song?
12. The one and only day I had to wear a suit, he said, gesturing wildly, happened to be Pride Day. And here I am, standing on the subway with my suit and tie, and everyone else is in suspenders or wearing nothing or in every single color ever invented. Goddammit!
13. (I actually talk to a neighbor. Surprisingly rare in a sprawling apartment in Midtown of Manhattan.)
We stand in awkward silence in the elevator.
Do you happen to know if it’s raining outside? the neighbor suddenly turns to me and asks.
I checked the weather app and it shouldn’t be. And I didn’t bring my umbrella, I answer truthfully.
Yeah, it’s a hassle sometimes.
Exactly, I’m going grocery shopping so… I make a gesture of carrying heavy bags with two hands (belatedly, I realize as I’m motioning that it makes me look like a 🦍).
He laughs. If it rains, he says, you can always take an Uber.
That’s the plan!
You mean, Uber there and Uber back?
I shake my head. I walk there, I emphasize the word ‘walk’, and Uber back.
Oh, Trader Joe’s pretty far.
A beat. Yes! I’m going to Trader Joe’s!
The elevator door opens. We amble.
Wish there was a Trader Joe’s closer to us, he says.
Well, I just finished dinner so it’s good to walk.
As I speak, he is wrapping up his umbrella like peeling lettuce. It’s done. He hands it to me.
You want it? he asks.
I’m strangely moved but I say, No, but thank you, thank you.
14. We’ve been looking a lot at China — Do they want to be a superpower? What’s on their agenda? — but we should also look at us. Regardless of China’s ambitions, they will become rich and powerful. So the question we need to ask ourselves is: are we comfortable with another country being rich and powerful, and one day as rich and powerful as us?
I find myself nodding.
15. I tried to be famous on Twitter, but it was too much effort, he said, thick brows furrowed. How long did you try? I mumbled, chewing a matcha beignet. Quite a while, he said, almost begrudgingly, like two weeks.
16. There is another kind of math that kids in the US study – Singapore math, he said, chewing a fry.
Oh, I said, Wait. WHAT.
17. My stomach is colonized by cookies.
18. I feel like we are all collectively held captive by the MTA, she said into my ear.
Goodbye, my New York summer! You’ve been good to me. ❤️🗽🌉🍕👩🏻💻✨🎧🚕