I declared my concentration!

BLACK SCREEN. FADE IN.

INT. DORM ROOM – NIGHT

Selina (20, Singaporean-Chinese) has both hands on the Mac keyboard. She is leaning forward expectantly before a desk piled high with dog-eared books, loose sheets of paper and thin notebooks with mythical, cartoonish covers. Cue music: something whimsical like Hisaishi’s Nausicaä Requiem! something dramatically perching on the edge of the symphonic abyss like Mahler’s Sixth!

The my.harvard page is loading.

She stretches and hums.

She checks Instagram, puts her phone down, and flips a page of Jess Row’s Your Face in Mine.

The front page loads. The music reaches a feverish pitch.

She feigns hesitation for a moment. It’s nice to dwell in a state of no commitment. Then the stillness breaks as her fingers start flying across the keyboard.

She swiftly clicks on “My Program” and then “Declare Concentration”.

ZOOM IN on her laptop screen. A series of selections from one drop-down list to the next:

  • Joint Concentration. Click.
  • Primary Concentration. History and Literature. Click.
  • Allied Concentration. Philosophy. Click.

The cursor hovers over the red ‘Submit’ button. The music dies. Silence is viscous on the screen.

SELINA
Alright. (a pause) Amen.

A beat. She grins and presses.

Click.

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Lots of Love,
Officially a Hist&Lit and Philosophy major,

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After the Darkness, A Meadow of Books

The number of papers I’ve written this semester: 

7.

Words that appeared in my first 10-page screenplay*

Wong Kar-wai. Temple. Claypot. Kant. Fortune-teller. White peach tart. Mahjong. Wikipedia. Red Mansion Dream. The Gods are real.

*If you are intrigued and would like to read it in exchange for giving me your genuine critique and constructive feedback, please reach out to me. (´・ω・`)

The number of times I went to the gym: 

8.

Where I’m going for Thanksgiving Break:

Cambridge (UK) & London (hello my loves)!!!

The number of sit-down exams I will have during Finals: 

0.

WHAT? It is, fortunately, happily, emphatically, true.

Correlatively, the total number of pages I will have to write in my final papers:

41 to 48 pages.

(A 20-page screenplay, a 6-8 page Global Fictions paper, a 7-10 page literary analysis or creative project, and an 8-10 page paper on Kant.)

The number of days till I come back home (i.e. fly back to Singapore): 

40.

(In fact, I won’t even be on campus during Finals Week (or Reading Period) because I’m flying off on the last day of class, which is December 5th. I shall lovingly labor over my papers in Singapore.)

A jumble of things on my mind: 

Unpaid. internships. Concentration dilemmas. (ಥ﹏ಥ) Career choices. “Don’t idealize or romanticize suffering.” Screenwriting. Grad school? Techno-orientalism, postcolonialism, literature & culture & race. Sit in an alcove and read and read and read until I grow cracks and crumble like moth wings. Do novels get written under deadlines? Do I want a creative senior thesis? I want to read big, fat, difficult, swollen, convoluted books that I will never read again. But, I don’t want to take a class only on Shakespeare, or Poetry, or early British literature. I should do Hist & Lit. The fantasy of intimacy with the language is increasingly falling apart. I want a critical lens, to explore, to challenge, to immerse myself in the contemporary, not the old, white, Western canon that has nothing to do with a 21st-century Singaporean-Chinese girl grappling with globalization, who wants to enter a conversation with writers who deal in that vein of global imagination. 

Here’s an Easter egg—a random snippet I typed on my phone in class because I was hungry and homesick and harboring within me a dim sum-shaped hole: 

The first thing I hear when the Play begins is the flurry of Cantonese chatter. Flying across the room like darts and then bouncing on the cloud of soft affection, blood ties, subtle enmity and piping hot early morning news Fresh off the Tongue making rounds.

Xuan, beautiful, a head taller and cantonese-speaking, whispers into my ear, with a glint in her eye. That short fat man, Xuan says, with a hiccup, as she downs another gulp of sweet white coconut milk, does pharmaceuticals and always loses in mahjong, probably intentionally when he plays with my Ma. Listening, my mouth forms the shape of an ‘o’.

No one else notices us collapsing into giggles, or my wobbly chopsticks dropping the prawn puff beneath the table, or us imitating the adults while chewing, or me eating three times The Amount of Golden Buns that Mami said I was allowed to.

The table is strewn with dumplings with different skin, different colors, different meat textures, with brown baskets of steaming hot pastries half the size of my tiny palm, with sweet chicken claws and spicy carrot cake, hard noodles in cups and soft eggs in half cut shells, and the iced mango sago melting over my tongue like cold cold honey.

***
After a brief patch of darkness, of indecision, of agonizing back-and-forths between two concentrations that may seem indistinguishable to the observer (English with its early British literature and poetry requirements and the glowing possibility of writing a novel in a Creative thesis, and History & Literature with its incredible freedom of charting my own course and piecing together a singular academic focus from an array of departments), of self-interrogation, of asking myself again and again ‘What do I want out of college?’, of grasping the shovel to dislodge already fixed aspirations, of negotiating the dilemma of studying the canon versus what I’m actually intellectually passionate about, of self-doubt, of my aversion to certain facets of the English language, of my fraught relationship with writing…

I see that there is always a meadow of books—my green light, an intellectual lodestar. It eludes me sometimes, but it’s an ancient instinct from which I may stray but always never wander far.

My favorite books that I read in class this semester: 

 

 

Lots of love,

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My Sophomore Fall Harvard Classes! (ft. Life)

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I realized I’m almost through with September and have not talked about the biggest chunk in my sophomore life thus far—my classes! There’s a reason why I’ve literally had no time to write about this. Life has been an absolute whirlwind. Here’s a snapshot of the residential problems plaguing our suite of four: I discovered black mold in my built-in closet last Friday and after lots of back-and-forth with the building manager and maintenance staff, we got it fixed (repairing the air-conditioning ventilation, painting the wall, sending my clothes to the dry cleaner, setting up a new portable wardrobe in the common room, etc.); last night, we noticed a small patch of black mold growing on our bedroom ceiling; today, an entourage came and arrived at a diagnosis that they needed to tear down part of our ceiling and our walls and eradicate the black mold infestation once and for all. In short, our room is no longer habitable as it is. UPDATE: my roommate, Ani, and I are moving to Adams temporarily until the Housing side fixes everything. It’s both strange and overwhelming, packing again, uprooting and anchoring the physical center of my life to another location after just getting used to DeWolfe.

What a day. But, I’ll be honest: this is a very skewed representation of what sophomore year has been like so far. Sophomore year, living in (or, more accurately speaking, on the periphery of—since we are in DeWolfe’s overflow housing instead of our affiliated Leverett House) an upperclassman house, the initial excitement of Shopping Week, seeing everyone again, reconfiguring the axis of my movements from the radius of the Yard to the Charles River to the restaurants of Harvard Square (an alarming statistic for my waistline: I have eaten at the dining hall for a grand total of fewer than seven times)… All these felt strangely natural, like slipping into another skin that is constituted by the atoms of past memories, unconscious habits, and the visible veins of known bonds.

My classes have also been unexpectedly rewarding and captivating. I love what I’m reading—some days I have to finish more than 300 pages in an afternoon—but I’m actually poring over each and pouring my mind wholeheartedly into every novel, secondary text, and philosophical treatise. I almost wonder why I didn’t do that in my last two semesters. I hope this sense of affection (quite lovingly) and fascination I currently harbor for what I’m learning in my classes won’t diminish as we approach the slew of midterm papers.

PHIL 129 Kant’s Critique of Pure Reason

One of my goals this semester was to take my first Philosophy class in college—I had loved studying epistemology (KI!) in JC and writing a research essay about the construction of historiography in fiction; I found that in retrospect I had unconsciously gravitated towards writing my HUM10 papers on Descartes and Nietzsche instead of, for instance, Austen and Joyce; I always entertained the thought of doing a secondary (read: minor) in Philosophy despite a distinct lack of concrete action on my part.

A friend recommended this class to me in the middle of shopping week but I was extremely hesitant, to say the least. But, in comparison, the other three Philosophy classes I had shopped were either too alienating, uninteresting, or foundational. When I finally shopped this class, forty minutes late and after missing the first session, it just felt right. Kant is, undoubtedly, incredibly dense and erudite = hard to digest. (How does he pack so much meaning into each sentence?!) His writings have also transformed the trajectory of Western thought, from epistemology to metaphysics, ethics to aesthetics, religion to politics. I see him as one of those thinkers that I need to read in order to even make sense of the world. Yet, I’ve not done so on my own initiative. But, I guess that’s what college is for—to really chew over and interrogate those books that we can’t conquer on our own or just wouldn’t have the devoted time and space to do so after we graduate.

We focus on one and only one of his major works of his for the whole semester, the Critique of Pure Reason (1781/87). The text presents an account of metaphysics, epistemology, and philosophy of mind, with Kant setting forth his criticisms of rationalist metaphysics and empiricist skepticism, and defending his views on the nature of the mind and of experience, the metaphysics of transcendental idealism, and the foundations of mathematics and natural science. I’m daunted but so, so excited.

HIST-LIT 90DI Speculative Fictions in Multiethnic America

This is my first History & Literature seminar! I’m not a huge sci-fi reader but the keywords in this class really caught my eye, in particular, techno-orientalism, post-race, and Afrofuturism. ‘Orientalism’ is one of those words that I will geek out about. I’ve researched about it in the foreign policy context, in Nietzsche’s On the Genealogy of Morality, and in relation to the epistemology of postcolonial fiction. But, I know close to nothing about techno-orientalism—for a genre like speculative fiction, how are new critical theories emerging and old ones recontextualized?

Growing up in a country as multicultural as Singapore, I’ve long had a fascination towards local narratives of multiethnic communities—consuming a diet of literature created by those on the periphery of the Western canon allowed me to imagine alternatives to how we live now. Yet, with age, I’ve recognized the pressing need to interrogate the ethics of representation in our global cultural matrix. In the genre of speculative fiction, reading works by writers other than the classic Jules Verne and Isaac Asimov entails an opening of our minds to the many possibilities of different, more hopeful ways of living as conceived from diverse experiences—such stories are a powerful resistance to the hegemonic (now splintering) visions of capitalism, of white domination, of nationalism, of technological ascendancy, etc.

ENGLISH 188GF Global Fictions

The reading list is to die for. How could I resist???

This course serves as an introduction to the global novel in English, as well as a survey of approaches to transnational literature. It considers issues of migration, colonialism, cosmopolitanism and globalization, religion and fundamentalism, environmental concerns, the global and divided city, racial and sexual politics, and international kinship. Authors include Teju Cole, Tsitsi Dangarembga, Liu Cixin, Mohsin Hamid, Jamaica Kincaid, Monique Truong, Michael Ondaatje, Ruth Ozeki, Arundhati Roy, and Ken Saro-Wiwa.

I realized last semester while taking Professor Homi Bhabha’s seminar on the genealogies of global imagination alongside HUM10’s survey of the literary canon that I relished the opportunity to read books that are truly global in nature. Reading about modern cities, diasporas, migrations, identities in flux, histories in contention, the legacies of colonialism, and multiple subjectivities, I hope I can better grapple with the tensions between power structures in existing literary traditions and these textual acts of resistance and imagination, which are reinscribed in contemporary negotiations of identity in a globalized world.

ENGLISH CLR Introduction to Screenwriting: Workshop

I continue my addiction to the English department’s creative writing workshops. This is the third semester in a row that I’m doing one—I really couldn’t help but apply. There’s something special about the small community, the devotion to the craft, and the intimacy of knowing your classmates through their writings and their critiques of yours. After doing two fiction writing workshops under Professors Claire Messud and Neel Mukherjee, I wanted to try something different this semester.

Screenwriting is something I’ve always wanted to do but never did. In last semester especially, I noticed how I like to write with a lens in my head in my short stories—panoptic sweeps, overlaying vignettes, cinematic memory, and realistic dialogue. In fact, filmmakers have inspired my imagination as much as writers have. I admire Hayao Miyazaki for the touch of innocence in the ethical complexity of his narratives, Chen Kaige’s visual flair that almost defies language, Wong Kar-wai’s silent yet emotionally intense approach, the infusion of romance and psychological intimacy in Wes Anderson’s nested framing stories, and Roberto Benigni’s use of comedy amid a collapsing world. Not sure if I’m going to stick with this current vision, but two main directions I hope to explore in my writing for film include: firstly, a magical realism that harkens to the worlds of Studio Ghibli, Gabriel Garcia Marquez, and the martial arts epics of Louis Cha; secondly, local stories from across the global Asian diaspora that are driven by authentic voices.

***

In some ways, this semester has been both completely like and unlike anything I expected. I am grateful for all these experiences and people, with moments of startling clarity, absorbing books that push the boundaries of my mind, and seemingly unending, candid conversations, full of childlike digressions and guileless interest that trickle on and on.

If you’re interested in hearing more about any of these classes, or what I’m reading, let me know and I’ll write another post!! Also, hopefully, the black mold goes away. Forever.

Lots of love,

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Confronting My Worldly Fears

At some point in your life, this statement will be true: Tomorrow you will lose everything forever.

How to Live Safely in a Science Fictional Universe, by Charles Yu

At the most random of moments, I consider my own mortality. One such instance was as I was seated in the cozy office of Professor Racha Kirakosian, which contained books so numerous that they seemed to be spewing out from the shelves with a life of their own. Half an hour ago, I had bumped into Carissa outside Lamont as she was on her way to see our Hum 10 seminar professor. I took it as a sign from the universe.

Just being in Prof Kirakosian’s office, in the presence of someone whose interests and expertise range from German to Religion to Medieval Studies to Game of Thrones, someone so winsomely at ease, witty, and genuinely passionate about life, I felt almost ashamed of my own fears—those that emerged with the onset of sophomore year, creeping like vines over my humanities-centric class schedule (the next blog post!), over the obstinate, inarticulable aspirations I harbor, and harnessing my vulnerability to the capitalist onslaught on campus, emblazoned in two words: Recruiting Season.

As a freshman, cocooned in the bubble of the Harvard Yard, my days were largely buffered by a sense of exhilaration and lethargy, the four years of college unfurling before me like an unending yellow brick road. As a sophomore, I am now suddenly catapulted from the periphery of real-world concerns to the precipice of worldly success outside of college gates: the moneyed prestige of Wall Street, the ascendancy of Silicon Valley, coupled with the irrational but still visceral fear of unemployment.

I can’t recall the conversation between Prof Kirakosian, Carissa, and me in complete specificity—I just remember laughing a lot, feeling at intervals, a sense of wonder and the budding certainty that life can work out in magical ways for those faithful to what they love. The professor confessed, after I hesitantly voiced my fears, that she never expected to be doing medieval studies or to be where she was today, but it was all about following her instincts at every stage in life.

I think about it sometimes, she said, the fact that we don’t live forever. I ask myself if I want to be doing this today if I were to die tomorrow. 

There’s an army of people doing CS, she said, why force yourself to do that? 

I see you as someone constantly reinventing yourself, she said.

In that small room almost suspended outside of time, like being in an interstitial space between two selves coming of age, with the soft afternoon sun seeping in like egg yolk, I felt many things crack open over my head—the purpose of our individual humanity, the power of instincts, and how even as she said those words, I drew strength from what she saw in me.

Often, in a place like Harvard, I feel the simultaneous pull of opposing forces: the allure of worldly success and the devotion to growth in wisdom. On days like this, I am grateful for God’s gentle reminders and life’s role models.

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Professor Kirakosian ❤

Lots of love,

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Two Takes on My Harvard Freshman Year (My Year in Review?)

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TAKE ONE

Here’s how it happens: eyelids fluttering, an image rising, and a sudden plunge into the hot, wet mouth of memory. I’m walking on a boulevard and then this hutong catches my eye and before I know it I’m wandering down networks of neurons, lost. Or I’m talking to someone, laughing, and there’s a tug and I can’t remember what I ever wanted to say. There’s a face, a sentence, a moment. One minute I’m dancing to Bruno Mars on a raised platform in a swanky Beijing club at 1:58AM and suddenly I’m a freshman again in a long snaking line of sweaty, jittery bodies leading towards the First Chance Dance housed in the dark Northwest Labs. Some weird upperclassman guy in crimson is smelling the green tea bottle in my hand like it’s beer, a tendril of hair sticking out from his nostrils. The white cloth-covered tabletop is littered with askew metal plates full of crumbs and crumpled wrappers. Self-consciously, I’m dancing or trying to move to some insipid, synthesized track while the bones in my body hesitantly reconfigure. A crack. Flash forward a few months: I’m leaping around and jutting out my hips to Zumba at the Hemenway, all over me a sheen of sweat, like I’ve been dipped in oil. My shoes are scraping against the bare floor and screeching to Meghan Trainor’s hearty, sassy ‘No’. The air-con licks my skin.

Or, in the present, I’m sucking on a red bean popsicle by the curb near a symphony of honking from Beijing’s sea of vehicles or thirstily swallowing a spoonful of matcha soft serve in Kyoto’s heat and then I recall the first taste of J. P. Licks during a pre-orientation program, immensely hopeful, eyes squinting against the sunlight as we crossed the street like a beaming group of tourists. Samples of sliced, melting mochi ice cream from smiling aunties at H Mart in neat little cups, opposite the freezer with dumplings and banchan. Berryline on cold days, gloves stuffed into the pockets of a down coat. My breath hanging before me like a fog.

I could be scrolling through my phone to airdrop someone a photo, or enlarging a selfie, or searching for an ancient screenshot. Maybe I see a photo of a beige wall decorated with yellow post-its and fenced off by purple and red ribbons. That’s all it takes. One look brings back the quote wall, the dubious carpets, the spiderman gravity-defeating moves, and the laugh-addled screaming-cum-squealing sessions that invited some poor guy from the floor below to check in on us out of concern. Five minutes later I’d still be standing there, unsure what I was looking for, like emerging from a pool with a smile on my lips. The phone screen turns black.

Or, crowding beside roundtables of hotpot with floating shrimp, meatballs and spicy vegetables, rotating a glass turntable laden with Peking duck and thirty appetizers, sipping on cheese tea in a crowded mall, chewing on pumpkin seeds in a teahouse simulating the old days while a lady in cheongsam sings opera, suddenly it’s the third week of Fall semester again and I feel like a stranger walking into Annenberg and drowning in the din. Then I drift into another memory. My third bowl of golden hash brown nuggets, with a heavy green blob of guacamole on top. Eating breakfast food for lunch on Sundays because I never wake up otherwise. The times we sit at a table next to someone’s crush, or two guys who looked decently cute in the dim light, or just some awkward acquaintance from God knows where, and we communicate with only our eyes, collapsing into giggles on our way out of the hall.

It’s living several lives, curled up in a hotel room’s rumpled sheets, or the pristine homestay bedroom just a door away from my new Japanese family, or my familiar, old bed with three pillows and a fluffy panda in Singapore. And when I come back to the present, eyes blinking, I am typing on the same screen, listening to the same Spotify playlist, the yogurt cup on my desk leaving a rim of condensation. On my computer the same blinking cursor. Inside my mind, I am remembering and forgetting a thousand tiny things.

TAKE TWO

Very honestly, I was planning to seriously write out a comprehensive Year in Review post with bullet points, labels, a slate of photos, and coherent paragraphs of descriptions. As I tried to write that post, beautifully envisioned and probably much easier to read than whatever I wrote above, the inevitable came: my impressions of those moments were always shifting and being filtered through the numerous new experiences I had. It felt pretentious even to slip back into my own skin and write about how I feel about something at its most visceral when it happened months ago. But. To go back in time and capture how I exactly felt would have been near impossible EXCEPT for the fact that many of such moments and my reflections have been penned down in the 21 blog posts published over the course of freshman year. So here’s another way to look at this year.

In my freshman year…

  • I explored writing fiction: I’ve never written as much fiction. Ever. I’m most grateful for the tremulous beginning to this writing journey—when I applied, got rejected and subsequently got off the waitlist for Claire Messud’s workshop in the Fall. One year later, I’ve completed three short stories for class, enrolled in another workshop (with Neel Mukherjee), and still struggle with this lonely, poetic affair. But this is what started it all. Embracing Rejection At Harvard (also unexpected surprises)
  • My main extracurricular life could be boiled down to three words: Harvard China Forum—when I surprisingly pulled together, with the help of many many people, a panel of speakers that I never could have imagined coming face to face with before Harvard (director of my favorite 2017 drama! lyricist to my lifelong pop idol Jay Chou!!! sci-fi novelist! variety show producer! CEO of online fiction publishing juggernaut! veteran journalist!). This Fall, I’ll be doing it all over again, yay! To Harvard China Forum • 致哈佛中国论坛
  • I spent my winter break at Dumbarton Oaks interrogating cultural philanthropy, diplomacy, and art in the cold. Girl in D.C.
  • I spent this sweltering summer in Kyoto. When In Kyoto ≧◡≦
  • I also ate my way through Japan. From A Foodie: Tasting Japan & Its Shokunin Spirit
  • I turned 2-0! From 20-year-old Me, With Love
  • I experienced my first shopping week, my first snow in Boston, a November of Taylor Swift, BBC’s Austen adaptations and daylight saving time, and made a list of things I love.
  • I told my own growth on this blog through stories. On navigating love after a bleary-eyed whirlwind Black Friday, on coming to terms with materialism in Gangnam, on those fleeting moments of great metaphorical meaning or unexpected snippets that we cannot capture behind every grinning photo, on combating drama addiction after a dreary spring break.
  • I deal with debilitating doubts about my writing; on bad days, I yearn for external validation like an addict. But, in the end, it’s really just the page and me. I feel extremely nervous about putting my edited works onto this blog for more eyes to scrutinize, but I would like to start doing more of that! Here’s a throwback to the two stories I’ve published here during freshman year: [Story] Why Believe in Fortune Cookies, and 7-Eleven: A Summertime Romance?.

Here’s to a sophomore year with more blog posts!!! To everyone I met during my freshman year and over this summer, wherever our paths may lead us, thank you for being part of this journey. I hope you will stay with this blog ❤

Lastly, Happy Birthday Daddy!!! 亲爱的爸比,生日快乐 🎂🎉✨ I’m not sure if I can keep myself from crying when I say goodbye to you both at the airport tonight, but I know that because of you, I can venture continents away with strength in my wings, love in my heart and an unyielding faith in the kindness of life. 没有您,就没有我。谢谢您总像魔术师般地将我的烦恼和忧愁化为动力和正能量。您的智慧、引导和关爱让我这棵小树一直在幸福的包围中茁壮成长。谢谢您为我撑起了一片天,为我遮风挡雨。我会让您骄傲的。永远爱您,爸爸!❤️❤️❤️

Lots of love,

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