From A Foodie: California Dreamin’

Read other From A Foodie installments:
From A Foodie: Tasting Japan & Its Shokunin Spirit 
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From A Foodie: Tasting Taipei — worn, but lovely 
🍹

Before you start reading this post, first play this song: California Dreamin’ by The Mamas & the Papas.

Looking for, you guessed it, good food.

Los Angeles is like an idea. There’s Hollywood and its entire edifice (Disney franchises, Universal Pictures, Walk of Fame, the Academy Awards, and all that celebrity fanfare). And then the films I associate with all that: The Mummy, The Sound of Music, La La Land, Pretty Woman… The list goes on.

LA is supposedly the city of stars. The idea, I think, is lived out better in the imagination than in the concrete. The real Hollywood Boulevard is like a backwater town, with dusty streets and gaggles of tourists. The Dolby Theatre — without the red carpet, flashing lights, and yelling paparazzi — looks rather nondescript. The most powerful part of Hollywood is not what I can touch. It lies in its promise, which has had a hold on the global imagination for generations.

Selina Xu Hollywood Walk of Fame

Some of that creativity can be found in the food. On my last day in LA, my family wandered over to The Broad art museum from the Grand Central Market. On my first day in LA, we went to another food festival, Smorgasburg. The former had some tourists and the latter was almost filled with local crowds. Full of local vendors selling food presented with unique artistic flair, both were melting pots (side note: I can never use this phrase non-ironically since reading Israel Zangwill’s eponymous play) of cultures and cuisines all in one bustling place.

The Broad also featured some of the most famous and trendy names in contemporary art like Jean-Michel Basquiat, Andy Warhol, Jeff Koons, and the one and only Yayoi Kusama (I remember when Kusama’s exhibition came to Singapore and suddenly her polka dots and yellow pumpkins were all over my feed; I ended up skipping her work this time since there was a two-hour wait).

So, here’s a look at some of the most interesting local foods I tasted in LA, interspersed with some cool art. 

Shrimp Daddy (Smorgasburg LA)

Hawaiian garlic butter shrimp inside a bright pineapple boat with macaroni and rice. Tasted good, but not as good as it looked. Sadly, since the pineapple was hollowed out, I couldn’t eat it. There was a tiny serving of some pineapple chunks at the head of the boat, which lightened the palate between bites of the crispy, heavy shrimp.

Selina Xu Smorgasburg Shrimp Daddy

Lobsterdamus (Smorgasburg LA)

A whole lobster YUM! My mom and I cleaned it off every last scrap of meat. Grilled on the spot with Cajun sauce, it was hot and chewy just like good lobster meat. For my mom, who enjoys eating from the shell instead of prepared meat, the experience itself was a plus. Very fresh.

Selina Xu Smorgasburg Lobsterdamus

Blue Plate Oysterette (Santa Monica Pier)

Two lobster rolls, one with fries, one with macaroni and cheese. Fried calamari. Very good crab cake! SUPER FRESH SEAFOOD. Which made sense. That’s honestly all one asks for at a restaurant by the beach.

According to my parents, who each took care of a lobster roll, the bread was very delicious (and more unforgettable than the lobster meat?!).

Selina Xu Blue Plate Oysterette

But, most of all, phenomenal key lime pie!!! However, I’m biased because I love lime/lemon-flavored desserts. Still, the BEST key lime pie I’ve eaten.

Selina Xu Blue Plate Oysterette Key Lime Pie

When I was looking at the Jeff Koons pieces at The Broad, which included huge balloon dogs that were made from stainless steel and then coated in translucent colors, I thought about his famous Lobster.

Jeff Koons Lobster.jpg

He said:

I’ve always enjoyed balloon animals because they’re like us. We’re balloons. You take a breath and you inhale, it’s an optimism. You exhale, and it’s kind of a symbol of death.

Isn’t that sort of like the entire affair of eating? The tension between interior life and exterior life, like an energy, like a dialogue. Open up two palms towards the sky: on one hand is what we consume; on the other hand, how long we’ve got to live.

Sari Sari Store (Grand Central Market)

A Filipino concept store. In Filipino, sari sari translates into ‘whatever.’ Out of the various savory rice bowls (silog) on the menu, I ordered the Pinoy BBQ bowl which features garlic pork ribs, garlic rice, atsara (pickled papaya), and a runny fried egg. The rice was SO GOOD. Almost as good as the Hainanese chicken rice in Singapore, but not quite yet. So simple, but so filling. 😇

Selina Xu Sari Sari

Glad that the egg I ate was not the ones in the painting below. Presenting to you: Joe, who seems to be frying eggs innocuously. But, look at his eye sockets. What a startling resemblance. 👀

Eyes and Eggs JEAN‐MICHEL BASQUIAT

Eyes and Eggs by JEAN‐MICHEL BASQUIAT.

I ended up seeing a lot of references to food hanging on the walls of the museum. (Possibly because I was hungry.)

Campbell's Soup Can ANDY WARHOL

Campbell’s Soup Can by ANDY WARHOL

Happiness Capsule by The Base (Smorgasburg LA)

Blueberry charcoal base with cold brewed tea in a huge jar that reads Bee Free (not a spelling mistake). No artificial sweeteners, so I was expecting something quite light. First sip and that was the case. After shaking the jar and almost dropping it, the drink got much more even in its sweetness. Would happily drink this every day.

Selina Xu Smorgasburg The Base Happiness Capsule

Peggy Sue’s 50’s Diner

On the road back to LA from Las Vegas, we turned off the freeway into Yermo — a town in the Mojave Desert — to stop by a small, 1950s-style diner with American classics such as meatloaf & chicken-fried steak on the menu. The waitresses were all dressed in turquoise and pink with vintage-looking white hats; there were a bunch of men in uniform munching on huge burgers at the table beside us; the walls were plastered with photos of Elvis (who also had a life-sized doll in a fortune-teller glass box). Definitely worth a stop if you’re looking for a roadside diner near the Interstate 15.

Selina Xu Peggy Sue's 50's Diner

More interesting than the food was the nostalgic interior. The food was quite forgettable (I got cheeseburger and fries), so I didn’t even bother taking a photo. Loved the quirkiness, however. For instance, guess who I saw in the women’s bathroom? : )

Selina Xu Peggy Sue's Women's Bathroom

James Dean, how dare you!?

***

Out of everything I ate over my seven days in LA/Las Vegas/in between, these are some of the most curious or memorable. They light up my memories of Southern California. Therein lies the magic of good food. They soften your eyes in reminiscence, sharpen some hazy outline of a feeling, or illuminate an ordinary day with a silver lining. They are interwoven with the fabric of the city and how I taste the contours of its syllables on my tongue.

Finally, ending with this.

Of Chinese Lions, Peonies, Skulls, And Fountains TAKASHI MURAKAMI

Of Chinese Lions, Peonies, Skulls, And Fountains by TAKASHI MURAKAMI.

From New York with Love,

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The Big 21

On May 31, 2019, I turned 21.

bsh

Peggy Sue’s 50’s Diner 

The big 21 is sundrenched in Californian heat, pulsing in road trip vibes, and peppered with desert sand and surrealist tree-like cacti with muscled arms (think: the Whomping Willow in Harry Potter). Outside of the window are lonely gas stations, abandoned houses, and then a humongous pink ice cream rupturing the barren, earthy landscape. Glitzy outlets in deserts. 50’s diners in ghost towns. A candy factory by the highway. Wasteland dotted in green thorns.

The big 21 is 1,500km over three days. Being on the car for hours at an end, with my legs up on the seat in front, light filtering through the windows, my fingers shuffling songs on Spotify, basking in the shadow of mountains. Highways nestled in endless expanses of land. So much land that my dad says, America must be blessed. There’s so much history — historical injustice — and circumstance wrapped up in that statement, but as the land whizzes past, it seems true.

The big 21 is perching on a hot, red rock at Grand Canyon West’s Guano Point, wind ruffling my hair, and sun in my eyes. It’s gazing into the canyon abyss on a glass skywalk. It’s the glory of nature’s hand, so close to mankind’s own feats, but those pale in comparison.

rptnb

The big 21 is returning from that display of nature to the haven of capitalist excess. It’s being surrounded by temptations in the desert oasis that’s Las Vegas. It’s weaving in and out of the glittering sprawl of casinos, amidst the intensely colored slot machines making cute sounds. It’s marveling at the incredible, gravity-defying feats of Cirque du Soleil acrobats at KÀ (which had multiple VERTICAL combat scenes?! and people strewing rose petals as they make an arc over the air). It’s learning the danger of unchecked desires. It’s beginning to make new principles.

rbsh

The big 21 is spending the day at Universal Studios Hollywood (it’s really becoming a tradition! my 20th was at Universal Studios Japan 🥳). It’s licking cotton candy (shaped like Marge’s hair from The Simpsons) off my fingertips, drinking Butterbeer at Hogsmeade, taking my favorite Revenge of The Mummy ride (which I almost know by heart now), seeing the Bates Motel set from Psycho, wearing a bright blue birthday badge and hearing birthday wishes from buoyant voices all day long. It’s feeling like a kid still, and acutely aware and grateful that I’m 21 but always my parents’ baby.  

The big 21 is feeling grateful for all the love and wishes from friends, old and new. Growing up is realizing that some people might only stay with you for a short station in life’s journey but that some people do stay, for a very long time. Time and distance can change things, and somehow I am further apart from friends geographically unlike younger days when we all lived within twenty minutes’ drive. For the friendships that last, I am immensely grateful. For the friends who I’ve met at Harvard, I’m so thankful that college life has been spent by your sides. To everyone who remembered, very blessed to have you in my lives. ❤

The big 21 is about family. Parents who will fly eighteen hours with me across the Pacific to celebrate my birthday. Parents who tolerate my childishness (even when I’m now legally an adult T_T) while treating me like an equal in many matters; who educate me when I make mistakes while always growing and reflecting alongside me; who give me the freedom to fly far away and explore to my heart’s content while opening their arms in wide, warm embrace each time I return to their harbor. 爸比妈咪,我爱您们!💕💕💕

rptnbbsh

The big 21 is realizing God’s hand in guiding my life in the smallest, most moving details. At so many points on the West Coast, I’ve realized His wisdom only in retrospect. Thank you, God, for carrying me on Your shoulders. I hope to keep growing into a better version of myself under Your love and to do You proud.

The big 21 is also about this blog, where I pen these thoughts down. I started this in 2017. Now, this is my 57th post. Over 30,000 of you have visited, and many of you have kept reading. My last wish here is to keep growing alongside more of you, to keep writing, and to tell life’s magic in stories that can stay. Thank you for reading the story of my life. ❤

Wishing you, dear reader, all the love and happiness in the world,

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Selina Xu Birthday Cake

[Story] Dog Days Are Over

Author’s Note: Found this buried in my drafts from 2018. Just a random little story on the impressionistic, surreal flicker of a college encounter between a girl and a boy (and dogs). 

Raining Dogs

She met him in the dorm room with a slanted ceiling. It was a mixer of about fifty people, with a makeshift bar (a scruffy-looking bookshelf colonized by dark liquor swimming in bottles), the washed-out glow from two sentry-like lamps, a lack of ventilation that put to sleep the dogs in her mind (a quiet bubble in a sea of noise), and the bright red cups swirling on sweaty hands like neon atoms in the dark.

He had a forgettable but good-looking face and an open, sudden smile. She had glanced up and there he was, a flash of white teeth and unfamiliar eyes.

It felt like it could be the beginning of the Play, which she didn’t know if she wanted to be a part of. Because that was only one day after she thought she had inspected the dust particles gathering on the stage. It felt impossible that any performance would ever start. She didn’t dare to read the opening lines of a new script that she might have to once more figure out. She walked away, cloaked in the memories of gray carpets of non-beginnings, unlived possibilities, and almost-heartbreaks. Her mind yelped, but she told it: Shh.

*

When she saw his name on her phone the next morning, everything was too quiet. In the stillness, she tried to remember how he looked like. She could only draw up hollows and shadows and teeth and eyes, an outline of a feeling, something close to being airborne. The dimness had rubbed his person of the valleys and ridges.

Her fingers tap-danced across the screen. Then the phone made a tiny arc through the air, landing on the cushions. The paws in her mind lifted by a whisker and with the pull of gravity, fell.

**

She didn’t expect a conversation to develop out of that encounter under the slanted ceiling. But, she found herself replying, enveloped in the rhythm of what could be an opening act.

When she made her way towards the T station, three days after the first phone message, she almost thought she might not recognize him in the glaring expanse of broad daylight.

He was wearing a white shirt, and he watched her as she came to him.

He wanted to say something, but she — more alive, less withdrawn than in the dorm-room light, was now full of sharp edges and splatters of colors — started talking. No scripts, no audience, just two people, almost strangers, barely friends, drawing an emotional asymptote on an unknown plane.

So he listened, the boy inside him first raising an eyebrow and, as the night went on, her animated words were punctuated by an undeniable pounding in his ears, like the sound of small palms fervently clapping in an empty auditorium. As she talked, he was nodding, and slipping, and tumbling down into a hole, gaping open. It was exhilarating.

***

She said goodbye to him by a bookstore.

I talk too much, she said, almost helplessly. The And Yet hung in the air between them, like subtitles. Anecdotes poured out, so did the crinkled, dog-eared details she thought she had long forgotten, drab, insipid, self-indulgent, confessional, strange, inconsequential bits and pieces of the arc of her life. And yet he listened. And yet she felt listened to.

Plans were made, a stroke here, penciling a vector there, in the blank space and black lines, a promise of something. And then a lull.

She felt the brief touch of his hands on her lower back. The enfolding of arms. The barest of hugs.

As she walked back to her dorm, she tilted her head to grasp the cacophony of barks in her head. Oh, shut up, she said, but couldn’t stop smiling. Shut up. Shut up.

****

He didn’t text her for five days.

The dogs were wild. They blanketed everything.

When she saw his name on her phone after the gap, everything was too loud.

*****

They stood close to each other like the first time, sat across from each other like the second, but she had the sense that everything was going terribly wrong. Somewhere between the crunched up movie ticket stub in her fist and the silences in the uber, between his distracted eyes and her reluctance to say anything, the tenor of this evening had changed.

They had not seen each other for merely a week, but it keenly felt like a meeting between two strangers. Strangers who knew too much about one another.

Tentatively, they tried to venture into unexplored terrains — Florence, childhoods, pasta — but each time they sought to erect a pole to build anew the tent that could house two souls, the earth turned to quicksand. So they kept scrambling, exerting force at All The Wrong Things, squinting in concentration, not meeting each others’ eyes, building a set like single-minded craftsmen, grasping at their shambling dignity and splintered ends.

The And Yet that had wafted over from the effulgent night a week ago, brimming over with everything said and yet so much unsaid, now crumbled into dust like moth wings between calloused fingers. She stared at him, and he stared at her.

He walked her back to her dorm. He responded to all her questions. He offered to pay for dinner. She laughed at all his jokes. She asked him one question after another. She allowed herself to be hugged. And Yet. And Yet. And Yet.

As she stood on the elevator, alone and watching the blinking lights move up each floor with a steady tick and a lurch, she felt she was leaving him on the ground as she went up higher and higher, back into a life without performance. All the memories of the three encounters were receding in the distance, he was becoming a speck, and the dogs nuzzled her solemn ego, her cool heart, her shredded script, and they were respectfully quiet in her mind in its moment of incredible stillness and clarity.

******

She learns two new lessons about gaps:

Lesson Number One:
There is a gap between the contours of Ideal Type and someone you can actually fall in love with. 

And
Lesson Number Two:
There is a gap between being in Love and loving the idea of falling in Love. 

*******

She knows that nothing in life will last. But, she says a little prayer as she lulls the dogs to sleep: to look at a boy and feel the whole world fade. And then she too can fade into old age, into ashes, into oblivion. With a rose in her hair and the dogs sighing in content.

Path in the Forest

(120) Days of Summer/Internship

Selina Xu_Felucca

Hellooo May! My favorite month of the year. (Because it’s my birthday at the end of it. Jk.)

😇

Since I’m flying from Boston Logan this Friday, the summer calendar is on the verge of starting. 120 days stretch out before me till September 3 when the Fall 2019 term starts. It’s so surreal that (barring Finals) I am halfway through with college. It feels like yesterday when I first moved in. A snap of fingers and, suddenly, I’m at the midpoint of my Harvard journey, with two solid years behind me and two years ahead.

Life’s moving too fast. High school felt like ten years, but in college, two years have sped by on jet fuel in a month-like blur. So many things have happened and so many things will be unfolding. I always feel like I’m poised to start, but then, semester milestones like this tell me that some chapters are truly ending. Life is a constant flurry of new beginnings and closures. The older I get, the more aware I am of these flipping pages. They no longer slip by unnoticed.

Announcing my summer plans!

May 5-24    Singapore

May 25-June 1    Los Angeles & Las Vegas — I turn 21!!!

June 2-August 10    New York

Fareed Zakaria GPS

This summer, I’ll be interning at CNN’s Fareed Zakaria GPS.

Super excited to be working for a primetime TV news program on foreign affairs — I’ve been a pretty big fan of Fareed’s works (he was the commencement speaker at Harvard in 2012) and have listened on-and-off to his podcasts from GPS (Global Public Square). On GPS, Fareed interviews world leaders and thinkers — a to-die-for list that includes Barack Obama, Bill Gates, Emmanuel Macron, and Salman Rushdie (fun fact: Kishore Mahbubani, who I worked for as a research assistant last spring, was also a guest on the show in its inaugural year, 2012) — and hosts lively roundtable discussions on topics ranging from 5G to Brexit to the world’s next recession. 

Not quite sure yet what the day-to-day work will be like, but I’ve been told that interns are expected to assist in all aspects of production (from a story’s inception to research and fact-checking to gathering visual elements) — so a big YES! 

I’m incredibly thankful to the Director’s Internship Program at the Institute of Politics for this opportunity — highly encourage more of you to check out the list of 100 or so organizations that partner with Harvard to provide fully-funded internships in politics, government, and public service for undergraduates!

August 10-September 2    Singapore + other travels maybe? Any recommendations?

*

Goodbye for now, Harvard! Thank you for another whirlwind of a semester — frosty winter and blossoming spring, some great classes, big ideas, and phenomenal professors, late nights at DeWolfe, Kirkland, and GSD, Harvard China Forum (practically the love of my college life), a flurry of internship applications, a constant state of waiting/in suspension (with a wonderful result at the end of it all 🙏), a precious lesson or two about dating, a long list of UberEats and Snackpass receipts, fluctuating weights and paper deadlines, a Belfer Center research stint on U.S. foreign policy, and friends who always care; I will miss you all dearly. x

But, see you in three days, Singapore~ I’m bringing my Final papers back to you — 42 pages in a week. 😵😵 Let’s do this!!!

Lots of love,

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April is tough. And brilliant. ᕦ(ò_óˇ)ᕤ

Easter Egg: Screenplay at the end of the post. 🥚✨

team

()

🌏 Harvard China Forum 💡

April 12th to 14th, Harvard College China Forum happened.

Remember last year when I was the Programming Associate in charge of the Culture Panel (ft. Fang Wenshan 💕)? As the Programming Chair this year, I oversaw how my amazing team put together an entire conference’s worth of content together. China’s growth will be one of the defining stories of our time and perhaps, we have shaped that narrative somehow.

Nothing beats months of brainstorming, invitation-writing, cold-emailing, drafting of panel descriptions and discussion questions, numerous color-coded spreadsheets, coordination of individual speaker logistics (400+ WeChat notifications and overflowing inboxes every day), the introduction of panelists to each other, staying up late at night at the GSD (Graduate School of Design) reviewing design details, and of course, the three forum days when everything came together — like the greatest show, painstakingly and lovingly built, scripted, and performed by numerous hands; like something that seemed to pass too fast but still endures, gathering minds and presenting ideas like cradling two brilliant continental halves of an earthly heart before a thousand people.

The number of speakers:

120+ (including Kevin Rudd, Jin Liqun, Yu Zheng etc.)

Kevin Rudd at Harvard China Forum

With Kevin Rudd, the 26th Prime Minister of Australia, who spoke at our Closing Ceremony ✨

The number of panels: 

11. (Finance, Entertainment, Pharmaceuticals, Technology, Arts, Culture, Philanthropy, International Relations & Development, Music, Philanthropy, and Entrepreneurship)

The number of keynote ceremonies:

3.

 

The number of attendees:

1085.

Thank you to each of you who made this another great year. ❤ I’ve learned so much from this journey that never ceases to amaze me — at what other institution in the world would this be possible? The incredible caliber of speakers, the sheer depth of dialogue, the commitment from everyone involved, and the team that handles this professionally demanding role outside of our busy Harvard lives.

The other day at an IOP (Institute of Politics) dinner, I met another student who asked me intently, “Do you think we should be afraid of China? Like with their One Belt, One Road initiative?” It is moments like this when I’m convinced that there is a great need to bring thinkers from the U.S. and China in dialogue on all fronts, at a place of learning where misunderstandings and stereotypes really do still exist BUT, at least, where people are curious and seek more answers beyond the reign of media and the limits of historical subjectivity.

Blessed to be here and I hope I can keep growing alongside this forum.

(´・ω・`)

paper-writing woes 😪

In the dimly lit DeWolfe common room, I’m curled up on the couch against the floor-to-ceiling windows. I felt timeless. It could be 2AM or 5AM. The hours are collapsing into one other.

In the hours spent typing away, tiny black letters crawl over the blank page on my laptop screen like an ant army, expanding the boundaries, encroaching on the ever-expanding territory of whiteness… My thoughts flowing and flowing, like a stream punctuated by soft, rhythmic punches on the keyboard.

It’s a draft for my History & Literature sophomore essay — 3000 to 4000 words in length, on any topic that has to do with ’empire’ or ‘imperialism.’ My topic of choice? Kevin Kwan’s Crazy Rich Asians (not the movie!!). What does CRA have to do with imperialism? At first glance, not much. After two days of reading, knee-deep in literature, all kinds of thoughts jump around my spinning head: what does the novel tell us about ‘Chineseness’? How can we understand class — in particular, the elite Chinese diasporic subject? How are capitalism and mobility in interplay? In the background, against which all the drama, catfights, and ostentatious displays of wealth are set, there is the postcolonial city-state of Singapore, where I grew up in.

Behind me, tiny filaments of light are seeping through the blinds, painting my bare legs in stripes. Bleary-eyed, I press one finger on a blind and peer out of the window. Gentle, pale sunlight touches my cheek.

I look at the digital clock. It’s 6:28 AM.

Here marks the first time in college I’ve stayed up all night writing an essay. It’s not cool — the big, red pimple on my chin will be a battle scar — but it feels like a college ritual that has finally happened. Here’s what happens when you have three papers due in one weekend.

April is tough, tough, tough!!!

ʕʘ‿ʘʔ

🤖 what have i been reading? 🧟

For the latest paper in one of my courses, “Forbidden Romance in Modern China,” I’ve decided to write a screenplay adapted from the most violent scene in Yu Hua’s Classical Romance 余华的《古典爱情》— it’s a short story that parodies the literary archetype of the Scholar-meets-Maiden romance (think: Peony Pavilion 《牡丹亭》) by subverting it with irrational, absurd violence that recapitulates the trauma of the Cultural Revolution. A climactic moment in the story is when the scholar is in a tavern and discovers that his long-lost beloved is being chopped alive for consumption in an adjacent room.

I decided to re-write that particular scene of monstrosity and bleakness into the format of a screenplay. (Scroll to the bottom of the post for my short 6-page screenplay. Hands down, the most violent thing I’ve ever written.)

How to represent the unrepresentable? How to imply violence? How to avoid explicit gore, yet still create suspense and dread?

As someone who is adamantly and unabashedly terrified of horror and thriller films — the scariest movie I watched until I turned 16 was Spirited Away (imagine your parents turning into pigs?!) —  I decided to approach this academically. I researched the best thriller films (they had dreadful names… Like Texas Chainsaw Massacre… And some that were more normal like Hitchcock’s Psycho.) and read their screenplays to study how they conveyed violence. 

The result? I was shivering in broad daylight and was terrified to turn off the lights at night. (My roommate also happened to be away. T_T)

In the meantime, to relax my English-addled brain, I also fell down the rabbit hole of Chinese novels which are CRAZILY GOOD. The genre of choice has been a mix of mystery and speculative fiction — one that I really liked is about being infinitely suspended in a Matrix-like game that simulates real-life unsolved cases.

Sigh, happily reading while floundering in a sea of deadlines. Now I’m five days away from leaving campus and ending my Sophomore year. Books are time machines!!!

Lots of love,

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