The number of papers I’ve written this semester:
Words that appeared in my first 10-page screenplay*:
Wong Kar-wai. Temple. Claypot. Kant. Fortune-teller. White peach tart. Mahjong. Wikipedia. Red Mansion Dream. The Gods are real.
*If you are intrigued and would like to read it in exchange for giving me your genuine critique and constructive feedback, please reach out to me. (´･ω･`)
The number of times I went to the gym:
Where I’m going for Thanksgiving Break:
Cambridge (UK) & London (hello my loves)!!!
The number of sit-down exams I will have during Finals:
WHAT? It is, fortunately, happily, emphatically, true.
Correlatively, the total number of pages I will have to write in my final papers:
41 to 48 pages.
(A 20-page screenplay, a 6-8 page Global Fictions paper, a 7-10 page literary analysis or creative project, and an 8-10 page paper on Kant.)
The number of days till I come back home (i.e. fly back to Singapore):
(In fact, I won’t even be on campus during Finals Week (or Reading Period) because I’m flying off on the last day of class, which is December 5th. I shall lovingly labor over my papers in Singapore.)
A jumble of things on my mind:
Unpaid. internships. Concentration dilemmas. (ಥ﹏ಥ) Career choices. “Don’t idealize or romanticize suffering.” Screenwriting. Grad school? Techno-orientalism, postcolonialism, literature & culture & race. Sit in an alcove and read and read and read until I grow cracks and crumble like moth wings. Do novels get written under deadlines? Do I want a creative senior thesis? I want to read big, fat, difficult, swollen, convoluted books that I will never read again. But, I don’t want to take a class only on Shakespeare, or Poetry, or early British literature. I should do Hist & Lit. The fantasy of intimacy with the language is increasingly falling apart. I want a critical lens, to explore, to challenge, to immerse myself in the contemporary, not the old, white, Western canon that has nothing to do with a 21st-century Singaporean-Chinese girl grappling with globalization, who wants to enter a conversation with writers who deal in that vein of global imagination.
Here’s an Easter egg—a random snippet I typed on my phone in class because I was hungry and homesick and harboring within me a dim sum-shaped hole:
The first thing I hear when the Play begins is the flurry of Cantonese chatter. Flying across the room like darts and then bouncing on the cloud of soft affection, blood ties, subtle enmity and piping hot early morning news Fresh off the Tongue making rounds.
Xuan, beautiful, a head taller and cantonese-speaking, whispers into my ear, with a glint in her eye. That short fat man, Xuan says, with a hiccup, as she downs another gulp of sweet white coconut milk, does pharmaceuticals and always loses in mahjong, probably intentionally when he plays with my Ma. Listening, my mouth forms the shape of an ‘o’.
No one else notices us collapsing into giggles, or my wobbly chopsticks dropping the prawn puff beneath the table, or us imitating the adults while chewing, or me eating three times The Amount of Golden Buns that Mami said I was allowed to.
The table is strewn with dumplings with different skin, different colors, different meat textures, with brown baskets of steaming hot pastries half the size of my tiny palm, with sweet chicken claws and spicy carrot cake, hard noodles in cups and soft eggs in half cut shells, and the iced mango sago melting over my tongue like cold cold honey.
After a brief patch of darkness, of indecision, of agonizing back-and-forths between two concentrations that may seem indistinguishable to the observer (English with its early British literature and poetry requirements and the glowing possibility of writing a novel in a Creative thesis, and History & Literature with its incredible freedom of charting my own course and piecing together a singular academic focus from an array of departments), of self-interrogation, of asking myself again and again ‘What do I want out of college?’, of grasping the shovel to dislodge already fixed aspirations, of negotiating the dilemma of studying the canon versus what I’m actually intellectually passionate about, of self-doubt, of my aversion to certain facets of the English language, of my fraught relationship with writing…
I see that there is always a meadow of books—my green light, an intellectual lodestar. It eludes me sometimes, but it’s an ancient instinct from which I may stray but always never wander far.
My favorite books that I read in class this semester:
Lots of love,